Thursday, August 28, 2014

Free Ebook , by Eric J. Topol

Free Ebook , by Eric J. Topol

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, by Eric J. Topol

, by Eric J. Topol


, by Eric J. Topol


Free Ebook , by Eric J. Topol

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, by Eric J. Topol

Product details

File Size: 2499 KB

Print Length: 320 pages

Page Numbers Source ISBN: 0465025501

Publisher: Basic Books; 1 edition (December 2, 2011)

Publication Date: December 2, 2011

Language: English

ASIN: B06XCK65P2

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Given all the havoc that has beset the medical market it is no surprise that Topol has called this a "Creative Destruction of Medicine". The medical system in place from (say) the mid-20th century forward, will not be able to handle the continual flow of retiring baby boomers, let alone senior citizens with ever increasing life expectancies. Like so many promises made over the past years, in its present form medicine will not be able to afford to honor the Medicare entitlement. So the current system must be replaced it with something else that will work.The only good news is that the cost of medicine can be greatly reduced through the aggressive introduction of advanced cutting-edge technology. Topol provides examples of where the injection of a little technology can substantively improve medicine, and at the same time do so at reduced costs. We might be seeing what others in the past have called "inflection points", where radical improvements and changes lead to measurably better patient outcomes.Changes on the cusp, are by no means painless. In the future you personally will be unlikely to get nearly as much one-on-one time with your doctor. Instead you will be seen by other medical professionals like physician assistants, nurse practitioners, and technologists of all stripes . In writing this, I remember the days when my dentist actually cleaned my teeth (!). Now a hygienist tends to that, with the dentist stopping by to take a quick look and shake hands.It would seem the dentists got to the answer faster than medical doctors were able to:Delegate anything and everything you can to less expensive staff so you can see more patients and reap the rewards of an expanded practice.

It is impossible to overstate the importance of Dr. Eric Topol's book and his message. While the text is sometimes more technical than the average reader might be at ease with, the message that health care is endangered is vital to everyone. Politicians have refused to deal honestly with the health care lobby, the biggest and most powerful lobby in America, because its money means votes. As the Baby Boomers retire at the rate of 10,000 a day between now and 2019, the debt of health care -- already a $2.8 trillion monster -- is absolutely going to spiral out of control because nothing was done. My children, and their children, will be pinned under this financial burden their entire lives.Topol has reformative ideas and is busy employing them with real patients. His work in wireless medicine, where multimillion-dollar medical devices have been been reduced in size and expense -- some to the size of a smartphone -- could not only save billions every year in hospital charges, but re-establish the patient-physician relationship that has been lost.Dr. Topol's ideas need to be heard by everyone because the patient of tomorrow will have to be conversant in health care, lest they become one of the 50 percent of bankruptcy filers who do so because of medical bills.

This book is a must for ANYONE who will ever be part of the health care system (as a provider or recipient of health care). Dr. Topol has written this book for the empowered consumer but as a physician who spent a career focusing on quality of care, I found it enlightening and fascinating. Dr. Topol takes us from the population based/guideline based medicine of today (WHEN we are lucky enough to have enough population based evidence for guidelines) to the individualized medicine of the not too distant future and explains how genomics and digitalization will make that possible. There are so many useful aspects to this book including a discussion of how to interpret the literature, how to evaluate the internet as a resource, how to select a top notch doctor and what kinds of conditions that is important for and so much more. Just to find about the MIT OpenCourseWare was worth the price of the book. This book is a major contribution from a doc who has been one of the major contributors to health care in this country. It was recommended to me by a cardiologist friend and I have recommended it to everyone from doc friends to musician friends. Lots of important content written with great clarity in a personal, almost conversational style that makes it a pleasure to read.

Wow Dr. Topol became a role model for me after I read this book.It just sucks that the average person interested in health isn't going to be able to read this book, nor are ideas like this the impetus for social change, because unfortunately complicated ideas from smart people aren't understood by most and thus don't go anywhere without social media efforts and popularity. However Dr. Topol wants a change, and I agreed with some of his ideas. Most intriguing to me was the part about pharmacogenomics and the future of personalization in medicine. Large population based studies attempt to homogenize its sample but never do, because the genes of those individual people weren't measured and people will respond differently. Being able to group people by certain haplotypes and genes is revealing greater answers in medicine, faster. It's dense and has a LOT of information, a LOT of references, which I like. Highly recommended for medical students.

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Monday, August 18, 2014

Free Ebook The Glass Menagerie CD, by Tennessee Williams

Free Ebook The Glass Menagerie CD, by Tennessee Williams

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The Glass Menagerie CD, by Tennessee Williams

The Glass Menagerie CD, by Tennessee Williams


The Glass Menagerie CD, by Tennessee Williams


Free Ebook The Glass Menagerie CD, by Tennessee Williams

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The Glass Menagerie CD, by Tennessee Williams

Review

"Fine listening...It is wonderful."-- "Cleveland Plain Dealer""Moving and hauntingly effective."-- "Boston Herald"

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About the Author

Tennessee Williams, born Thomas Lanier Williams in 1911 in Columbus, Mississippi won Pulitzer Prizes for his dramas, A Streetcar Named Desire and Cat on a Hot Tin Roof. Other plays include The Glass Menagerie, Summer and Smoke, The Rose Tattoo, Camino Real, Suddenly Last Summer, Sweet Bird of Youth and Night of the Iguana. He also wrote a number of one-act plays, short stories, poems and two novels, The Roman Spring of Mrs. Stone and Moishe and the Age of Reason. He died in 1983 at the age of 72.

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Product details

Audio CD

Publisher: Caedmon; Unabridged edition (June 20, 2000)

Language: English

ISBN-10: 0694523755

ISBN-13: 978-0694523757

Product Dimensions:

5 x 0.2 x 5.5 inches

Shipping Weight: 3.2 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

221 customer reviews

Amazon Best Sellers Rank:

#890,740 in Books (See Top 100 in Books)

…with honorable and not so honorable intentions.I first saw this play produced in Atlanta, in the ‘70’s, and fragments of it have rolled around in my brain ever since. First and foremost there was the character of Amanda Wingfield, firmly stuck in the past, recalling her “glory days” as Bruce Springsteen would phrase it, in his famous song about two people in their ‘20’s, recalling how their life had peaked out in high school. For Amanda Wingfield, her “glory days” were from her teenage years also, in the Mississippi Delta, when she had 17 gentlemen callers seeking her hand… and probably a bit more. She tells her daughter, Laura, that a “girl had to be a conversationalist” back then. All those possibilities, the 17, and always the hint of so many more, yet she makes a “poor choice” who would abandon her and the family, and send a post card from Mexico that said simply: “Hello, Good-bye.”Tennessee Williams sets this play in America’s heartland, St. Louis. It is the late 1930’s, with news flashes involving the war in Spain, and Chamberlain. The Wingfield family is lower middle class, living in a tattered apartment, in a building with fire escapes, subsisting off the $65 a month son Tom, who works in a shoe store warehouse, brings home every month. Williams play is straightforward, and so easily understood, and packs so much pathos and heart-break into two hours of viewing, or reading, which chronicles the poverty of human existence. Reading the play after some four decades helped me recall some of the tragic circumstances of the other two members in the Wingfield family.There is daughter Laura, a “cripple,” and even back then the mother admonishes Tom not to use that word. She has a physical challenge; that is all. But it dominates her life, and she has not been able to overcome it. Now, many years after high school, she still recalls how much noise her brace made, and knew everyone was looking at her. She is painfully, painfully shy, cannot stay in steno school because she threw up on the floor, and pretends to continue to go, but visits the parks instead. Her sole solace in life is her small collection of glass animals, including a unicorn, which mom dubs with the name of the play.I had completely forgotten – or perhaps never realized the equal pathos in the life of son Tom. Stuck in a dead-end warehouse job, living with a mother and sister who are each in their very different worlds. The “breadwinner,” of sorts. He “escapes” from his humdrum life via the movies and alcohol, and endures the nagging of his mother. But he has his own plans… for a little real adventure in life, instead of living vicariously through the movies. “Chamberlain” haunts the au courant reader, with the realization that World War II is so near, and so now, on reflection, one must wonder how many bored warehouse clerks, from America’s heartland, found their adventure wading into the surf at Iwo Jima or Normandy? The climatic part of the play, which is what I will leave for the reader, is when Tom brings home a “gentleman caller” for Laura. As one might suspect, Williams remains true to his theme of pathos.The author makes very effective use of a shadow screen on stage, and the New Directions version helped recall it after those four decades. When there was a flashback in the play, behind the screen, there were the shadows that captured the essence of the flashback. And when needed, certain words would be flashed on the screen. As is so often the case, the foreword and afterword provide limited value to the reader, and I think should be simply skipped. As for the play itself, it merits 5-stars, plus, and a re-read, a few years down the line.

Good book. For my 14 year old boy it was a hard read when he loves fiction. Tenassee Williams uses so many adjatives in his writing it is a different style of writing.,Yet its a good lesson that details matter where writing is concerned.

The book was great when it arrived. But and came with a cheap paper back and the book was way smaller then what I was expecting. Rather than that you get what you get and that's a book.

It tugged at the heart. Poor Laura. Poor Tom. Poor Amanda. All trapped in a world of brokenness and poverty. If you are a fan of Tennessee Williams, this is a must read play.

Had to get this for an English class. I would recommend just watching the movie on YouTube. It's word for word what the book/play is.

This Tennessee Williams classic is a multifaceted look at a dysfunctional family in the late 1930’s. It delves into familial obligations, human frailty, and misguided decisions. The play is absolutely timeless, due in large part to Williams’ magnificent job of creating a vivid scene in the reader’s mind. Most, if not all readers, can relate to varying aspects of the play, including the yearning for freedom from familial obligation, memories of our youth as we grow older, shattered dreams, and fear of stepping out of our comfort zone.It’s most interesting to me that Williams appeals to the masses, young or old, across all generations. I remember this play having been one of the few I enjoyed reading in high school; I still enjoyed it just as much, all these years later, right along with my daughters. It is a true classic that has stood the test of time some 70+ years after it was written!

This was an outstanding play by Tennessee Williams. He produced a theme anyone can relate with. The Wingfield family was dysfunctional and falling apart at the seams. The three main characters all had serious problems to deal with. Amanda was the matriarch of the family. She was an old Southern belle who was abandoned by her husband and forced to raise her two children alone. She was delusional and trying to live in the glory days of the past. She was trying desperately to get her children to experience success and she would hound and nag them continually. Amanda tried to contribute to the houshold by selling subscriptions to literary publications. This provided a meager income.Laura had a disability and was considered to be "crippled." She lacked the ability to cope with her disability. She was shy and lacked confidence. She was just as debilitated emotionally. She dropped out of school and bailed on a secretary training program. Her mother was furious at finding out that the expensive program did not produce results and that Laura had only been pretending to go to school. Amanda decided that Laura's only hope was to find a husband.Tom worked at a warehouse and hated his job. He was a frustrated poet and had a sense of wanderlust. He was planning on joining the merchant marines and embarking on a series of adventures. He was torn between the desire to help his sister and to go out on his own. He did not have a good relationship with his mother. Tom escaped his problems by going to the movies and drinking.Amanda and Tom were squabbling throughout the play. She nagged him to find a "gentleman caller" to visit Laura. Tom produced a friend at work named Jim O'Connor. Tom didn't realize that Laura knew Jim in high school and she had a crush on him in school. Tom brought Jim over and Laura was overcome with anxiety. She lacked the social skills to deal with the situation. Amanda put on a fancy outfit and was a social butterfly.Jim was a pleasant and charming young man. He handled the difficult personalities in the family with charm and grace. He went over to Laura and had a nice conversation. He tried to get her out of her shell. He told her she needed to have more confidence and overcome the low self esteem. Jim asked Laura to dance and accidentally knocked over her glass unicorn. The horn was broken and this was a calamity for Laura because the glass menagerie was the most dear thing in the world to her. Jim gave her a kiss and this overwhelmed Laura.The women in the family had high hopes, but it turns out that Jim was engaged to marry and was not going to be Laura's knight in shining armor. The play ended in grief as Tom bailed on his family. This was a real sad ending to the story.The play had a deeper message. It showed how a father abandoning his family can produce devastating effects. Amanda symbolized the death of the old genteel South. She tried to keep alive the values and traditions of a previous era. The glass unicorn symbolized Laura's fragile condition. She would never have the coping skills to overcome her disabilities. The emotional crippled state was far more daunting than her walk with a limp. Tom sought to escape from his responsibilities and abandoned his family like his father before him.

Excellent condition. Thank you.

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Sunday, August 10, 2014

Ebook Free Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art, by Mary Gabriel

Ebook Free Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art, by Mary Gabriel

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Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art, by Mary Gabriel

Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art, by Mary Gabriel


Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art, by Mary Gabriel


Ebook Free Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art, by Mary Gabriel

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Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art, by Mary Gabriel

Review

"A gorgeous and unsettling narrative...Ninth Street Women is supremely gratifying, generous, and lush but also tough and precise -- in other words, as complicated and capacious as the lives it depicts...It's as if once Gabriel got started, the canvas before her opened up new vistas. We should be grateful she yielded to its possibilities."―Jennifer Szalai, New York Times"Ninth Street Women is like a great, sprawling Russian novel, filled with memorable characters and sharply etched scenes. It's no mean feat to breathe life into five very different and very brave women, none of whom gave a whit about conventional mores. But Ms. Gabriel fleshes out her portraits with intimate details, astute analyses of the art and good old-fashioned storytelling."―Ann Landi, Wall Street Journal"Ninth Street Women is a must read...Gabriel seamlessly weaves the intimate and the public, the lives and the art, making us feel we were there...It is a story that is a part of the American story, told here in vivid, meaningful detail, an absolutely pivotal text."―Margaret Randall, Women's Review of Books"Gabriel's fascinating group portrait shimmers with vivid personal detail...She traces their interwoven paths from studio to Cedar Bar to the Eight Street loft known as the Club...Over time, Willem de Kooning outshone Elaine; Jackson Pollock eclipsed Krasner. Key contributions were erased...Gabriel makes sure these major artists who have been written out of history are not forgotten."―Jane Ciabattari, BBC.com"Masterful. Mixing critical insight with juicy storytelling, Mary Gabriel brings five brilliant female painters to the fore of the art revolution that cut a wide swath in postwar America."―Patricia Albers, author of Joan Mitchell: Lady Painter"Gripping and enthralling, Mary Gabriel made me share every turbulent moment of these remarkable women's lives. A magisterial reference, this book will be the definitive text for years to come. It is also the most devastatingly accurate portrayal of five women who had the temerity to call themselves artists in the male-dominated twentieth century."―Deirdre Bair, author of Al Capone: His Life, Legacy, and Legend"I loved every page of this necessary book. At last we see such once-sidelined artists as Joan Mitchell and Elaine de Kooning in depth, and both the telling gossip of their lives and the brave authenticity of their work are thrilling. Mary Gabriel restores the humanist ambition at the core of all the New York painters of this era, whether male or female--the boldness of their risky lives and the seriousness of their noble enterprise."―Brad Gooch, author of Rumi's Secret: The Life of the Sufi Poet of Love"Sheer delight. A richly detailed epic starring not only five heroic female painters, but a supporting cast that defines the entire existential and Beat era, from Frank O'Hara to Billie Holiday to Samuel Beckett. Gabriel's vision of Lee Krasner jazz dancing with Piet Mondrian alone is worth the price of the book. With palpable empathy for the flawed brilliance of her five stars, their jealous foes, and their long-suffering enablers, Gabriel conjures the high-risk paths they chose, what making great art cost their lives, and what they lost and won in the end."―Michael Findlay, director of Acquavella Galleries and author of Seeing Slowly: Looking at Modern Art"A colorful narrative as compelling as a novel. Gabriel brilliantly shows how the women of Abstract Expressionism carved out paths for themselves in an often hostile community, fashioning careers and producing exciting work fully as important as that of their male peers--men whom they befriended, married, bedded, or disdained."―Mary V. Dearborn, author of Ernest Hemingway: A Biography"A fascinating, meticulously researched account of five painters who broke through the gender barriers in the art world of the 1950s. Gabriel is deft at teasing out the behind-the-scenes drama in these women's lives and careers. Essential reading for any student of the period, and of the New York School generally."―David Salle, author of How to See: Looking, Talking, and Thinking About Art

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About the Author

Mary Gabriel is the author of Love and Capital: Karl and Jenny Marx and the Birth of a Revolution, which was a finalist for the Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award, as well as of Notorious Victoria: The Life of Victoria Woodhull, Uncensored, and The Art of Acquiring: A Portrait of Etta and Claribel Cone. She worked in Washington and London as a Reuters editor for nearly two decades and lives in Ireland.

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Product details

Paperback: 944 pages

Publisher: Back Bay Books; Reprint edition (September 24, 2019)

Language: English

ISBN-10: 0316226173

ISBN-13: 978-0316226172

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

37 customer reviews

Amazon Best Sellers Rank:

#499,506 in Books (See Top 100 in Books)

Mary Gabriel has completed brilliant work that translates a mind-boggling volume of research into a vivid and eminently readable account of the lives, art and times of these ground-breaking and adventuresome artists, who happened to be women. The broad scope of the book ranges over the broad economic, political, and artistic milieu to provide the very relevant context of the personal lives of these artists as well as their art and the art of their friends and contemporaries.The author got this story right. Full disclosure: I knew one of the artists well, Elaine de Kooning, my aunt. In her studio and elsewhere I met many of the figures that appear in this book over many years. I heard their stories, listened to their conversations, and looked at their work. Reading this book was a nostalgic sojourn spent with them again.I received an advance copy of this book from the author. It is a long book and it took me too long to read it, but it was an enjoyable and enchanting spell. Now I feel somewhat disoriented having to leave those now distant legendary decades of artistic innovation in NYC's Village and the Hamptons with the remarkable artists that peopled it. Highly recommended!

Caveat. I am not an artist or an art historian. I'm simply an art enthusiast. Even though I have already read several biographies on the artists covered in this book, this work offered fresh insight, new angles, and superb context. Like other reviewers have said - at first I could not put the book down - but later I did. I found that often I would read a few pages, but the boo aside and just think and reflect. I realized at some point I didn't want the book to end. Like good novels, the characters in the book became as if they were people I knew, and in each case, I knew, it would end. I felt a longing for a time when Art, literature and drama mattered so much that it was featured on the covers of major magazines. Now we live in a time when major magazines are gone, so many young people barely read, and art is assailed as a frivolous activity that should be removed from education in place of more practical matters. I know of the poets, the literary magazines, and the art of the time covered in this book but really have no idea if anything like that exists in this time. There well may be a similar movement now. So in the end when the last page was turned I felt sad,I wanted to story to continue and this great book to keep going. I am a voracious reader - I count this book as one of the truly great books I have read in my lifetime.

Here's an intimate portrait of 5 of the women who created art along side the men in the abstract expressionist movement. While most everyone has heard of Jackson Pollock, how many have heard of his wife Lee Krasner?Or Elaine De Kooning, Helen Frankenthaler, Grace Hartigan or Joan Mitchell? Yet these 5 women struggled, starved, sacrificed and studied along side the giants of the art industry. And they were recognized as artists in their own time.Today, they seem to have been lost along the way. This book shows them as holding their own and even influencing their male contemporaries.This book explains how,where and why they created the art that so many people would dismiss as "something my kid could do". And gives the reader a much better understanding of the reasons and thought processes behind their art.For anyone who wants to "understand Modern Art", this could be a primer. And although it is long, it reads like a juicy novel. There are photos of all the women, some of the men and the paintings mentioned in this book.As a former Art Museum docent , the hardest question for my guests to answer was "Name 5 women artists". After reading this book, YOU'll be able to name these 5 incredible artists and then some!

I don't read books about art -- I look at art. Ninth Street Women is the exception. I couldn't put it down. Three friends said the same thing: It is the best book about art ever written.

I’ve always had a difficult time understanding abstract expressionism. This is the first book I’ve found that provided insight into the makers, their driving ambition, their art practice, and their lifestyle. I may still not appreciate all the artworks but I do have an appreciation for the struggles and the sacrifices and struggles of the artists. While the focus is on the women, the story is much more comprehensive of the time, the places, and the personalities around the whole movement.

Barbara Barrick is reading this book. It is very readable, informative, thorough, and holds my interest completely. This is exactly the kind of information I wanted to read about these artists. It places them within the historical setting as well. I am enjoying the reading, although the book is very heavy to hold.

Very long but worth the wait. Interesting & easy to set down & pick up later. Real women artists are documented in the changing word of American art.

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Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art, by Mary Gabriel PDF

Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art, by Mary Gabriel PDF
Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art, by Mary Gabriel PDF