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Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art, by Mary Gabriel
Ebook Free Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art, by Mary Gabriel
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Review
"A gorgeous and unsettling narrative...Ninth Street Women is supremely gratifying, generous, and lush but also tough and precise -- in other words, as complicated and capacious as the lives it depicts...It's as if once Gabriel got started, the canvas before her opened up new vistas. We should be grateful she yielded to its possibilities."―Jennifer Szalai, New York Times"Ninth Street Women is like a great, sprawling Russian novel, filled with memorable characters and sharply etched scenes. It's no mean feat to breathe life into five very different and very brave women, none of whom gave a whit about conventional mores. But Ms. Gabriel fleshes out her portraits with intimate details, astute analyses of the art and good old-fashioned storytelling."―Ann Landi, Wall Street Journal"Ninth Street Women is a must read...Gabriel seamlessly weaves the intimate and the public, the lives and the art, making us feel we were there...It is a story that is a part of the American story, told here in vivid, meaningful detail, an absolutely pivotal text."―Margaret Randall, Women's Review of Books"Gabriel's fascinating group portrait shimmers with vivid personal detail...She traces their interwoven paths from studio to Cedar Bar to the Eight Street loft known as the Club...Over time, Willem de Kooning outshone Elaine; Jackson Pollock eclipsed Krasner. Key contributions were erased...Gabriel makes sure these major artists who have been written out of history are not forgotten."―Jane Ciabattari, BBC.com"Masterful. Mixing critical insight with juicy storytelling, Mary Gabriel brings five brilliant female painters to the fore of the art revolution that cut a wide swath in postwar America."―Patricia Albers, author of Joan Mitchell: Lady Painter"Gripping and enthralling, Mary Gabriel made me share every turbulent moment of these remarkable women's lives. A magisterial reference, this book will be the definitive text for years to come. It is also the most devastatingly accurate portrayal of five women who had the temerity to call themselves artists in the male-dominated twentieth century."―Deirdre Bair, author of Al Capone: His Life, Legacy, and Legend"I loved every page of this necessary book. At last we see such once-sidelined artists as Joan Mitchell and Elaine de Kooning in depth, and both the telling gossip of their lives and the brave authenticity of their work are thrilling. Mary Gabriel restores the humanist ambition at the core of all the New York painters of this era, whether male or female--the boldness of their risky lives and the seriousness of their noble enterprise."―Brad Gooch, author of Rumi's Secret: The Life of the Sufi Poet of Love"Sheer delight. A richly detailed epic starring not only five heroic female painters, but a supporting cast that defines the entire existential and Beat era, from Frank O'Hara to Billie Holiday to Samuel Beckett. Gabriel's vision of Lee Krasner jazz dancing with Piet Mondrian alone is worth the price of the book. With palpable empathy for the flawed brilliance of her five stars, their jealous foes, and their long-suffering enablers, Gabriel conjures the high-risk paths they chose, what making great art cost their lives, and what they lost and won in the end."―Michael Findlay, director of Acquavella Galleries and author of Seeing Slowly: Looking at Modern Art"A colorful narrative as compelling as a novel. Gabriel brilliantly shows how the women of Abstract Expressionism carved out paths for themselves in an often hostile community, fashioning careers and producing exciting work fully as important as that of their male peers--men whom they befriended, married, bedded, or disdained."―Mary V. Dearborn, author of Ernest Hemingway: A Biography"A fascinating, meticulously researched account of five painters who broke through the gender barriers in the art world of the 1950s. Gabriel is deft at teasing out the behind-the-scenes drama in these women's lives and careers. Essential reading for any student of the period, and of the New York School generally."―David Salle, author of How to See: Looking, Talking, and Thinking About Art
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About the Author
Mary Gabriel is the author of Love and Capital: Karl and Jenny Marx and the Birth of a Revolution, which was a finalist for the Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award, as well as of Notorious Victoria: The Life of Victoria Woodhull, Uncensored, and The Art of Acquiring: A Portrait of Etta and Claribel Cone. She worked in Washington and London as a Reuters editor for nearly two decades and lives in Ireland.
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Product details
Paperback: 944 pages
Publisher: Back Bay Books; Reprint edition (September 24, 2019)
Language: English
ISBN-10: 0316226173
ISBN-13: 978-0316226172
Shipping Weight: 1.1 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
37 customer reviews
Amazon Best Sellers Rank:
#499,506 in Books (See Top 100 in Books)
Mary Gabriel has completed brilliant work that translates a mind-boggling volume of research into a vivid and eminently readable account of the lives, art and times of these ground-breaking and adventuresome artists, who happened to be women. The broad scope of the book ranges over the broad economic, political, and artistic milieu to provide the very relevant context of the personal lives of these artists as well as their art and the art of their friends and contemporaries.The author got this story right. Full disclosure: I knew one of the artists well, Elaine de Kooning, my aunt. In her studio and elsewhere I met many of the figures that appear in this book over many years. I heard their stories, listened to their conversations, and looked at their work. Reading this book was a nostalgic sojourn spent with them again.I received an advance copy of this book from the author. It is a long book and it took me too long to read it, but it was an enjoyable and enchanting spell. Now I feel somewhat disoriented having to leave those now distant legendary decades of artistic innovation in NYC's Village and the Hamptons with the remarkable artists that peopled it. Highly recommended!
Caveat. I am not an artist or an art historian. I'm simply an art enthusiast. Even though I have already read several biographies on the artists covered in this book, this work offered fresh insight, new angles, and superb context. Like other reviewers have said - at first I could not put the book down - but later I did. I found that often I would read a few pages, but the boo aside and just think and reflect. I realized at some point I didn't want the book to end. Like good novels, the characters in the book became as if they were people I knew, and in each case, I knew, it would end. I felt a longing for a time when Art, literature and drama mattered so much that it was featured on the covers of major magazines. Now we live in a time when major magazines are gone, so many young people barely read, and art is assailed as a frivolous activity that should be removed from education in place of more practical matters. I know of the poets, the literary magazines, and the art of the time covered in this book but really have no idea if anything like that exists in this time. There well may be a similar movement now. So in the end when the last page was turned I felt sad,I wanted to story to continue and this great book to keep going. I am a voracious reader - I count this book as one of the truly great books I have read in my lifetime.
Here's an intimate portrait of 5 of the women who created art along side the men in the abstract expressionist movement. While most everyone has heard of Jackson Pollock, how many have heard of his wife Lee Krasner?Or Elaine De Kooning, Helen Frankenthaler, Grace Hartigan or Joan Mitchell? Yet these 5 women struggled, starved, sacrificed and studied along side the giants of the art industry. And they were recognized as artists in their own time.Today, they seem to have been lost along the way. This book shows them as holding their own and even influencing their male contemporaries.This book explains how,where and why they created the art that so many people would dismiss as "something my kid could do". And gives the reader a much better understanding of the reasons and thought processes behind their art.For anyone who wants to "understand Modern Art", this could be a primer. And although it is long, it reads like a juicy novel. There are photos of all the women, some of the men and the paintings mentioned in this book.As a former Art Museum docent , the hardest question for my guests to answer was "Name 5 women artists". After reading this book, YOU'll be able to name these 5 incredible artists and then some!
I don't read books about art -- I look at art. Ninth Street Women is the exception. I couldn't put it down. Three friends said the same thing: It is the best book about art ever written.
I’ve always had a difficult time understanding abstract expressionism. This is the first book I’ve found that provided insight into the makers, their driving ambition, their art practice, and their lifestyle. I may still not appreciate all the artworks but I do have an appreciation for the struggles and the sacrifices and struggles of the artists. While the focus is on the women, the story is much more comprehensive of the time, the places, and the personalities around the whole movement.
Barbara Barrick is reading this book. It is very readable, informative, thorough, and holds my interest completely. This is exactly the kind of information I wanted to read about these artists. It places them within the historical setting as well. I am enjoying the reading, although the book is very heavy to hold.
Very long but worth the wait. Interesting & easy to set down & pick up later. Real women artists are documented in the changing word of American art.
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