Friday, January 11, 2013

Free Download The Chickencoop Chinaman / The Year of the Dragon: Two Plays, by Frank Chin

Free Download The Chickencoop Chinaman / The Year of the Dragon: Two Plays, by Frank Chin

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The Chickencoop Chinaman / The Year of the Dragon: Two Plays, by Frank Chin

The Chickencoop Chinaman / The Year of the Dragon: Two Plays, by Frank Chin


The Chickencoop Chinaman / The Year of the Dragon: Two Plays, by Frank Chin


Free Download The Chickencoop Chinaman / The Year of the Dragon: Two Plays, by Frank Chin

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The Chickencoop Chinaman / The Year of the Dragon: Two Plays, by Frank Chin

Review

"There can be no question.about the ability of the gifted, passionate, funny Mr. Chin; his characters are playable, complex and always convincing, and the words they speakm are always theirs and theirs alone."―The New Yorker"The Year of the Dragon barges through the comfortable stereotypes of the Asian American―-the quiet, hardworking contented characcter who keeps to himself, rarely bothering the white community. It is not an 'easy' play. The language is frequently strong, and the bitterness, even when wrapped in some very funny comedy, is unrelenting..But as a portrait of an Asian American's furious struggle for identity, the play is a searing statement, a powerful cry."―The New York Times"If the main character represents the second generation, we would have no hope. He has no warmth. He lacks understanding. His actions are despicable."―Chinese Pacific Weekly"One does not have to agree with Chin's views to be profoundly affected by his arguments. They are well observed, richly detailed and sharply focused."―Pacific Citizen

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From the Back Cover

Book of Plays: The Year of the Dragon barges through the comfortable stereotypes of the Asian American-the quiet, hardworking contented character who keeps to himself, rarely bothering the white community. It is not an 'easy' play. The language is frequently strong, and the bitterness, even when wrapped in some very funny comedy, is unrelenting... But as a portrait of an Asian American's furious struggle for identity, the play is a searing statement, a powerful cry.'

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Product details

Paperback: 172 pages

Publisher: University of Washington Press (November 1, 1981)

Language: English

ISBN-10: 9780295958330

ISBN-13: 978-0295958330

ASIN: 0295958332

Product Dimensions:

6 x 0.4 x 9 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#743,841 in Books (See Top 100 in Books)

Classic.

The thing with Frank Chin is that he really makes the reader work. You're going to read his fiction and think to yourself, "What in the world is he talking about?!"The thing with Frank Chin's fiction is that his ideas are far more compelling than the stories themselves or his writing style:-the idea that a "Chickencoop Chinaman" is farmed and created in isolation by a society built on internal colonialism-the lack of role models for Chinese men in America, which leads the protagonist to desperately believe that the Lone Ranger is AsianLike all of his works of fiction, The Chickencoop Chinaman and The Year of the Dragon are rough reads. This is not the type of stuff you read for pleasure, but you read with the assistance of a college course on Asian American lit.

I'll give Frank Chin this-- his two plays The Chickencoop Chinaman and The Year of the Dragon have some important ideas that deserve to be thought about and discussed. What does it mean to be an Asian American? How much is assimilation a part of Asian American culture, and is that good or bad? Where did Chinatowns come from? How do the races get along, and where are there misunderstandings that could be improved upon?All of these are great questions, and they are all addressed in the plays, but two points really hamper the messages for readers now. First, the messages are dated. With the plays first being produced in the early 1970s, cultural relations and ideals have changed, and from the anger and vitriol that appear in these plays, this would appear to be a good thing. Second, it is very hard to care about the characters or what they do. Both plays have rude, obnoxious lead characters who shout a lot but accomplish little. By the time I finished reading the plays, I was exhausted and wishing for a normal conversation with a person who at least tried to understand others. This inability to communicate and feeling of being lost in America may be a main theme of the two plays, but it is not one that is handled in an engaging way.All in all, while I didn't enjoy these plays, I give them three stars because they are thought-provoking and can lead to some insight into another culture, especially at the time period of the '70s, but even as they have changed over time.A note on the plays: Of the two, The Year of the Dragon is more entertaining as it deals with a man's desire to make a better life for himself as long as he can go against his father's will. The plot is engaging, but the hard-to-read vernacular language, bloody-mindedness of the characters, and constant balmovements of the characters detract from the overall feel of the work. (I'm not kidding about the balmovements; a large portion of this play deals with characters going to the bathroom, lighting matches, and even the father "shoving out the world's longest turd.") Sophisticated stuff. The first play, The Chickencoop Chinaman, is a very difficult read with some blatant racism and sexism that is hard to stomach. I almost didn't make it through, and I am not 100% pleased that I did.The bottom line is this: if you are looking for getting your ideas about Asian Americans and Chinese culture in a somewhat entertaining fashion, this is not the work for you. If you are just interested in the ideas and the literary importance of Frank Chin, however, go for it.

to challenge the stereotypes of Chinese. You need only read these famous lines in Chickencoop Chinaman: "Chinamen are made, not born, my dear. Out of junk-imports, lies, railraod scrap iron, dirty jokes, broken bottles, cigar smoke, Cosquilla Indian blood, wino spit, and lots of milk of amnesia." It's no wonder that this play is the first Asian American play produced off-Broadway. It is controversial (for good reason), angry, and thought-provoking. Did you know that George Takei played Fred Eng in The Year of the Dragon?

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